A_Lee said:
Well, I don't want to leave everything to RAW because I don't do a whole lot of post processing as it is ... I don't use PS CS4 or anything, just Adobe LR2 for basic tweaking here and there (And I don't even know how to use LR2 to its capacity either!). So normally if the picture is totally jacked, it doesn't necessarily mean I can save it
Thanks Art!
I use LR2 sometimes too just to edit, I barely use any of photoshop, just camera raw. it's as simple as four sliders at most. Pictures that are totally jacked are going to be bad regardless of RAW or not. You have a nice DSLR, you should get the full power of RAW capabilities, don't use that as an excuse. LR2 can do everything I would do with RAW shots.
I also don't mean RAW is the save every picture thing. It just allows you to not have to spend tons of time right before taking a picture to make sure everything is completely perfect. A shot not taken because you are setup is nothing compared to a shot you took because you didn't have to fiddle around so much. Composition means everything. If your exposure or something else is off, nobody will care if what you took a picture of is *that* interesting.
No matter how perfect your exposure and colors are, if your photo has no composition, and heck if you missed it because you were adjusting your camera, that means nothing.
I don't know if there's a perfect setting or way to setup the camera that can encompass every situation out on the slopes. Exposure compensation will need to be bumped up if it's actually a good exposure anyway. Using RAW you'd basically have that leeway without needing to guess one way or another on the compesation scale. So what I'm saying is, by shooting raw, +1 or -1 ev steps on exposure composition is nothing, it can do that easily on it's own. LR2 has a slider just for that. So don't even worry about it. You might lose a picture that's way underexposed if you assume that you need to expose less. Exposure compensation is usually for lenses that tend to shoot darker or brighter, or extremely weird exposure effects that you want. If you just want something that looks good, and your lenses aren't jacked, just leave it at 0.
There's no shame in post processing. Post processing is as much of an art as taking the actual photo. Think about Ansel Adams, his true art was his post processing technique. Well that accompanied by his patience of going out there to get the right shots, but they would've been sucky if his post processing was non-existent.
You have to be able to think ahead of yourself. When you take the shot, it won't look exactly like you want, but you know how to get a picture that you can post process to exactly what you want.
When I see a scene, I can usually picture what it will look like after I run it through a few sliders in photoshop. So what I do is I spray until I get the right composition and then deal with it later on the computer.
Anyway, goodluck with the shots. When do you go?